When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
US SHIPPING ONLY - NO INTERNATIONAL SHIPPING
A rare vintage 1960 Brown Face Fender Concert Amp with the highly coveted Triad 45249 output transformer that was used in the 5F6A tweed BassmanPurchased from a friend of the original owner. Always a local Virginia Amp since 1960 and not played much.
VERY LOW SERIAL # 00441 00001 to 02400 – 1960
A meticulous restoration for an Original, clean 1960 Fender Concertchassis. It\'s original and was in great shape. It waschanged to a head long ago. This was a labor of love and quite a bit of time and money to bring it back to a 4 x10 combo. offer with confidence, it\'s brilliant and ready to play out.
http://mathercab.com
New Mather cabinet with 4 perfect number matched set of CTS speakers. This amp has been completely gone through and is stage ready. Fantastic sound, quiet reliable and ready to play, any where. Fantastic Vibrato sound Deep and Rich.All new Sovtek tubes, new 3 prong cord. I will post pictures of the inside later . It\'s beautiful and has just been serviced as needed by a Pro tech.
Produced in 1960, was based on the 6G12 schematic and was, as stated above, electrically the same as the Vibrasonic amp of the same era. The “12” in the schematic number is actually the model number of the amp. In comparison, the model number of the Vibrasonic is 13. This would indicate that design work on the Concert preceded that of the Vibrasonic, but according to those knowledgeable on the subject, the Vibrasonic was released earlier than the Concert. This version of the Concert can be quickly recognized by checking the tube compliment. If you’re seeing five preamp tubes across the back, the amp is an early- to mid-1960 Concert produced using the 6G12 circuit. Another recognizable and interesting attribute of these amps was the controls, which were backwards from what we’re used to seeing on the face of a traditional Fender amp. Following the input jacks, the controls were Bass, Treble then Volume, not the traditional Volume, Treble, Bass.
ABOUT 
