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Very hard to find RARE Ron Rezek Copper and Zinc hanging lamp circa 1980 Dimensions 14” diameter x 7” high. The hanging wire measures approximately 16”. The lamp is in AMAZING vintage condition with a few minor scuffs that may polish off. The shade is bright and shiny copper on the outside shade. Around the base rim of the copper shade, there are circle, triangle and square punched shapes. Under the copper shade is a white zinc shade with a brass ball top. The lamp hanging light fixture is wired and ready to hang and illuminate. You will want to use a cloth to clean / polish the light fixture. We did not attempt to clean it. We are leaving that up to the New lucky owner.
Please view our other sales, as we have the matching 11” tall hanging lamp listed as well.
Please view all photos for the best description of this item that is being sold, as is, with no returns.
Details
Creator
Ron Rezek (Designer)
Dimensions
Height: 7”
Width: 14”
Style
Post Modern MCM Industrial
Materials and Techniques
Copper, Brass and Zinc
Place of Origin
United States
Period
Late 19th Century
Date of Manufacture
circa 1980
Condition
Like new - no dings. Wear consistent with age and use.
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Ronald John Rezek (born October 31, 1946, Oakland, California, USA) is a design entrepreneur who started five successful companies and has designed hundreds of contemporary light fixtures and ceiling fans. He earned his bachelor's degree in Industrial Design and a Master’s in Fine Arts in Industrial Design at UCLA. There, his professors included designers Henry Dreyfuss, Charles Eames, Neils Different and Don Chadwick. In 1978, Rezek started Ron Rezek Lighting to design and sell contemporary decorative lighting and furniture. He maintained a showroom in SoHo, New York and West Los Angeles, and an office and warehouse in Culver City. His steel-and-chrome desk lamp, hanging steel-and-aluminum desk lamp and chrome-steel-and-maple table were included in the 1976 California Design show. Rezek has focused his work on advancing the modern idiom. “Rezek’s philosophy has been to subtract as many of the details as possible and rely on what he calls ‘pure geometry,’” wrote Charlyne Varkonyi Schaub in the South Florida Sun-Sentinel.
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